Assignment 04.01 – Precedents
Toyo Ito:
Serpentine Gallery, London, GB, 2002
Brugge Pavillion, Belgium, 2002
Rem Koolhaas (www.oma.nl):
Competition entry for the French National Library, 1989
Seattle Library, 2004
CCTV Headquarter, China 2002
Casa da musica, Portugal 2005
Prada Stores, NY, Los Angeles, San Francisco
Prada Skirt LA, 2006, „Waist Down:Miuccia Prada: Art and creativity“, Travelling exhibition
Prada sponge, LA 2004
Peter Eisenman:
Church of the year 2000, competition, Rome 2000
Herzog&De Meuron:
National Stadium (The bird nest), China 2007
Prada Store, Tokyo
Forum Building, Barcelona, 2004
Shangai World Expo Building and Countries Pavillions, 2010 (See Polish pavillion)
Mobile Performance Venue – Various Architects
Zaha Hadid:
Chanel Showroom-Art Container, traveling Pavilion, 2008
Zaragoza Expo 2008, Bridge Pavilion
Ben van Berkel, UNStudio:
Louis Vuitton Flag Store, 2008
Stephen Holl:
SARPHATISTRAAT OFFICES, Amsterdam, The Netherlands, 1996-2000
Friday, October 31, 2008
Thursday, October 30, 2008
Stage 04
Assignment 04.01 – Affect
Project: The catwalk
You will design a small structure representing your fashion designer (brand).
It is a temporary space/building for fashion shows that adapts, relocates and reorients itself to changing environments, contests, places, views, use, and program.
Its contemporary conception engages materials and surface treatments.
You might consider:
- Your fashion item’s new grid as a regulating background;
- Your previous assignment on “7 elements assembly” (volumetrically, in plan, in section, constitutional elements, hierarchy, dominant and weakest elements);
- Patterns, all phases, particularly the assignment on “Structural patterns”.
Program:
Total area of building: 2100 sq.ft.
The total area should include:
Catwalk and sitting: 1000 sq.ft.
Backstage: 300 sq.ft.
Make-up/bathrooms: 150 sq.ft
Entrance: 100 sq.ft
Lounge/party room: 300 sq.ft.
Bathrooms: 150 sq.ft.
Jolly room: 100 sq.ft. (may vary)
Max exterior Height: variable from 12’ to 18’
Process
Starting from the previous assignment on “7 elements assembly” and from your fashion item’s grid, reconsider the assembly of your elements in plan and in 3D.
In your design, you must include:
Circulation systems. Diagrams of paths and transitions spaces serving the building inside and outside.
Entrance/exit options that establish relationships between indoor and outdoor spaces.
Diagram of densities (unit/voids). Combinations and spatial variety of solids and voids. Voids could be considered as surfaces (ex. ground floor garden, outdoor paths, open terrace or deck), or volumes (covered terrace, space underneath or above, voids within the building). You could involve the space below or above the volume, so that this space could pass underneath, flow into your building, or be treated vertically.
Façade treatment. Skin and structure. Structural patterns, cladding or sunscreens. Differentiated surfaces. You must integrate the Pattern’ exercise.
Parameters:
Modular dimensions; hierarchy of parts; adjacency of spaces; organizational possibilities;
Horizontal and vertical combinations of parts of the building;
Sectional interlocking possibilities;
Spatial relationships;
Commodity and delight — ease of entry into the building and circulation among the different zones; accommodation of natural light and airflow; views; generosity and sufficiency of space; surprises; unusual use of materials; surface manipulation.
Requirements
Process 2D drawings using Autocad 2009;
3d investigations and modeling using 3D studio Max;
Physical Model .
Due Wed, Nov.19, 2008
Assignment 04.01 – Affect
Project: The catwalk
You will design a small structure representing your fashion designer (brand).
It is a temporary space/building for fashion shows that adapts, relocates and reorients itself to changing environments, contests, places, views, use, and program.
Its contemporary conception engages materials and surface treatments.
You might consider:
- Your fashion item’s new grid as a regulating background;
- Your previous assignment on “7 elements assembly” (volumetrically, in plan, in section, constitutional elements, hierarchy, dominant and weakest elements);
- Patterns, all phases, particularly the assignment on “Structural patterns”.
Program:
Total area of building: 2100 sq.ft.
The total area should include:
Catwalk and sitting: 1000 sq.ft.
Backstage: 300 sq.ft.
Make-up/bathrooms: 150 sq.ft
Entrance: 100 sq.ft
Lounge/party room: 300 sq.ft.
Bathrooms: 150 sq.ft.
Jolly room: 100 sq.ft. (may vary)
Max exterior Height: variable from 12’ to 18’
Process
Starting from the previous assignment on “7 elements assembly” and from your fashion item’s grid, reconsider the assembly of your elements in plan and in 3D.
In your design, you must include:
Circulation systems. Diagrams of paths and transitions spaces serving the building inside and outside.
Entrance/exit options that establish relationships between indoor and outdoor spaces.
Diagram of densities (unit/voids). Combinations and spatial variety of solids and voids. Voids could be considered as surfaces (ex. ground floor garden, outdoor paths, open terrace or deck), or volumes (covered terrace, space underneath or above, voids within the building). You could involve the space below or above the volume, so that this space could pass underneath, flow into your building, or be treated vertically.
Façade treatment. Skin and structure. Structural patterns, cladding or sunscreens. Differentiated surfaces. You must integrate the Pattern’ exercise.
Parameters:
Modular dimensions; hierarchy of parts; adjacency of spaces; organizational possibilities;
Horizontal and vertical combinations of parts of the building;
Sectional interlocking possibilities;
Spatial relationships;
Commodity and delight — ease of entry into the building and circulation among the different zones; accommodation of natural light and airflow; views; generosity and sufficiency of space; surprises; unusual use of materials; surface manipulation.
Requirements
Process 2D drawings using Autocad 2009;
3d investigations and modeling using 3D studio Max;
Physical Model .
Due Wed, Nov.19, 2008
Monday, October 27, 2008
A03.04 – Structural patterns
Select only 1 (one) pattern, which you think is the more appropriate for this assignment. You may choose among all your patterns, including old and recent patterns’ transformations.
Your pattern will become the skin and structure of your building.
Draw your pattern in AutoCAD -2D and extend it to three adjacent faces (horizontal-vertical-horizontal, or vertical-vertical-vertical). In AutoCAD, insert and draw your pattern into a 12’ x 12’ area/face/surface (6x6 modules) and extend it to 12’x6’ adjacent two areas/faces/surfaces.
Import the 3 (three) surfaces in 3DSMax.
Extrude a thickness of 2’ ft. your 3 surfaces and establish angular conditions.
Laser cutter physical model.
Explore and construct edge conditions: your pattern lines will be carried around adjacent faces. You must have a right angle connecting possible floor-wall-roof or wall-wall-wall relationships.
Work with solids and voids. Cut through selected parts. Modify and review, if necessary, your pattern. Start to think about façade openings.
Apply light as a design tool. You may decide to change your cuts accordingly to specific light-effects on the interior surfaces.
Your patterning investigation is now enabled by structure and light.
Due Friday, Oct.31-2008
Select only 1 (one) pattern, which you think is the more appropriate for this assignment. You may choose among all your patterns, including old and recent patterns’ transformations.
Your pattern will become the skin and structure of your building.
Draw your pattern in AutoCAD -2D and extend it to three adjacent faces (horizontal-vertical-horizontal, or vertical-vertical-vertical). In AutoCAD, insert and draw your pattern into a 12’ x 12’ area/face/surface (6x6 modules) and extend it to 12’x6’ adjacent two areas/faces/surfaces.
Import the 3 (three) surfaces in 3DSMax.
Extrude a thickness of 2’ ft. your 3 surfaces and establish angular conditions.
Laser cutter physical model.
Explore and construct edge conditions: your pattern lines will be carried around adjacent faces. You must have a right angle connecting possible floor-wall-roof or wall-wall-wall relationships.
Work with solids and voids. Cut through selected parts. Modify and review, if necessary, your pattern. Start to think about façade openings.
Apply light as a design tool. You may decide to change your cuts accordingly to specific light-effects on the interior surfaces.
Your patterning investigation is now enabled by structure and light.
Due Friday, Oct.31-2008
Friday, October 17, 2008
Assignment 03.03 – Surface layers
Select two patterns, which you think are the more appropriate for this assignment. You may choose among all your patterns’ transformations.
Draw your two patterns in Cad-2D and insert them insert into a 12’ x 12’ ft. area/face/surface grid (6x6 modules of 2’x2’ ft. each). Scale 1:1
Explore and dismount layers of your patterns, de-construct relationships between primary and secondary lines. Isolate 2 or 3 layers within the patterns’ geometry. Work with solids and voids. Consider cuts through selected parts. Hatch the selected voids. Modify and review, if necessary, your pattern.
Print one 11”x17” page for each pattern’s exploration. Scale fit to page.
Start to think about façade openings.
Your patterning investigation is now enabled by façade applications.
Import the 2 (two) surfaces/patterns in 3DS.
If you are working with 3 layers: extrude with a thickness of 4”, 2”, 0” in. your first, second and third layer.
If you are working with 2 layers: extrude with a thickness of 2”, 0” in. your first and second layer.
Add boolean operations to show voids/cuts.
Render in color and print an axonometric and a front view of each 3D pattern. Print one 11”x17” page for each pattern’s exploration. Scale fit to page.
Due Wed., Oct. 22, 2008
Select two patterns, which you think are the more appropriate for this assignment. You may choose among all your patterns’ transformations.
Draw your two patterns in Cad-2D and insert them insert into a 12’ x 12’ ft. area/face/surface grid (6x6 modules of 2’x2’ ft. each). Scale 1:1
Explore and dismount layers of your patterns, de-construct relationships between primary and secondary lines. Isolate 2 or 3 layers within the patterns’ geometry. Work with solids and voids. Consider cuts through selected parts. Hatch the selected voids. Modify and review, if necessary, your pattern.
Print one 11”x17” page for each pattern’s exploration. Scale fit to page.
Start to think about façade openings.
Your patterning investigation is now enabled by façade applications.
Import the 2 (two) surfaces/patterns in 3DS.
If you are working with 3 layers: extrude with a thickness of 4”, 2”, 0” in. your first, second and third layer.
If you are working with 2 layers: extrude with a thickness of 2”, 0” in. your first and second layer.
Add boolean operations to show voids/cuts.
Render in color and print an axonometric and a front view of each 3D pattern. Print one 11”x17” page for each pattern’s exploration. Scale fit to page.
Due Wed., Oct. 22, 2008
Monday, October 13, 2008
Assignment 03.02 – Patterns and geometry
Continue to apply transformations to your new patterns series.
You have sets of drawings exploring operations of 1)-repetition, 2)-rotation, and 3)-overlapping.
Implement, within each set, combined possibilities of shifting, scaling, and trimming.
On 11 x 17” paper print the following Cad drawings:
Series of 2D drawings where you are to explore repetitions, rotations and overlapping of elements through 3 operations of shifting.
Series of 2D drawings where you are to explore repetitions, rotations and overlapping of elements through 3 combinations of shifting+scaling.
Series of 2D drawings where you are to explore repetitions, rotations and overlapping of elements through 3 combinations of shifting+scaling+trimming.
Due Wed., Oct. 15, 2008
Continue to apply transformations to your new patterns series.
You have sets of drawings exploring operations of 1)-repetition, 2)-rotation, and 3)-overlapping.
Implement, within each set, combined possibilities of shifting, scaling, and trimming.
On 11 x 17” paper print the following Cad drawings:
Series of 2D drawings where you are to explore repetitions, rotations and overlapping of elements through 3 operations of shifting.
Series of 2D drawings where you are to explore repetitions, rotations and overlapping of elements through 3 combinations of shifting+scaling.
Series of 2D drawings where you are to explore repetitions, rotations and overlapping of elements through 3 combinations of shifting+scaling+trimming.
Due Wed., Oct. 15, 2008
Friday, October 10, 2008
Stage 03: Depth
Assignment 03.01 – Patterns and geometry
Exactly redraw the patterns of your fashion item as a 2D figure using AutoCad.
If your item presents a complex series of patterns, redraw a reduced selection of them. Start to observe the single elements that are composing each patterned figure.
Isolate and redraw your pattern’s single elements as line drawings.
Try to uncover the underlying geometry of your patterns. Your patterns contain rules of repetition and multiplication.
What is the inherent principle according to which the single module proliferates?
Reveal the rules, strategies, layers and constraints, which are at the basis of the selected geometries.
Apply different ways of repositioning, combination and transformation of single elements to new entities, forming new patterns of more complex organizations.
Create your individual sets of new geometries as sequences of parts.
Particularly, you should have a set of drawings exploring operations of:
- Repetition
- Rotation
- Overlapping
On 11 x 17” paper print the following in appropriate scale:
Series of 2D-Cad drawings with the isolation of your pattern’s single components. The original overall pattern should always be present as background figure, as reference.
Series of 2D-Cad drawings where you are to explore repositioning, combinations and transformations of single elements, through 3 applications of repetitions.
Series of 2D-Cad drawings where you are to explore repositioning, combinations and transformations of single elements, through 3 applications of rotations.
Series of 2D-Cad drawings where you are to explore repositioning, combinations and transformations of single elements, through 3 applications of overlappings.
Key words:
Module isolation
Parts extraction
Components extrusion
Translation
Multiplication
Transformation
Ripositioning
Addition
Repetition
Rotation
Overlapping
Due Monday, Oct. 13, 2008
Wednesday, October 8, 2008
Assignment 02.04 - 3D assembly, axo, elevations, physical model
The 7 elements selected and assembled together are now extruded in 3D.
They are composing a 3D assembly of solids and each component of the assembly is in strong geometrical and spatial relationship with the others.
In 3DS, render an axonometric scene and a front view (elevation) of your choice. Insert a plane as a receiving ground. Add significant construction lines.
Save each file separately as:
………A0204-3DS-AXO
………A0204-3DS-N-Elev
Print the Axo rendering on a 11x17’’ page in B/W, at the same scale of your laser cut exercise.
Import the elevation of your assembly in Illustrator and retrace the solids: you will have a line-drawing overlapping the rendering.
Position the ground line. Work with different line thicknesses, accordingly with what is in front, back, or behind (dashed line).
Print the Elevation from Illustrator on a 11x17’’ page in BW, at the same scale of your laser cut exercise.
Construct a physical model of the assembly at the same scale of your laser cut exercise.
Suggested technique and material: laser machine and MDF.
Due Friday, Oct. 10, 2008 end of stage 2
The 7 elements selected and assembled together are now extruded in 3D.
They are composing a 3D assembly of solids and each component of the assembly is in strong geometrical and spatial relationship with the others.
In 3DS, render an axonometric scene and a front view (elevation) of your choice. Insert a plane as a receiving ground. Add significant construction lines.
Save each file separately as:
………A0204-3DS-AXO
………A0204-3DS-N-Elev
Print the Axo rendering on a 11x17’’ page in B/W, at the same scale of your laser cut exercise.
Import the elevation of your assembly in Illustrator and retrace the solids: you will have a line-drawing overlapping the rendering.
Position the ground line. Work with different line thicknesses, accordingly with what is in front, back, or behind (dashed line).
Print the Elevation from Illustrator on a 11x17’’ page in BW, at the same scale of your laser cut exercise.
Construct a physical model of the assembly at the same scale of your laser cut exercise.
Suggested technique and material: laser machine and MDF.
Due Friday, Oct. 10, 2008 end of stage 2
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